فِتْنَةُ التَّجْرِيب فِي ديوان سيِّدنا صَلَواتُ الحَقِيْقَة والمَجَاز لــ (سَيّد الحِجَاز) محمد ﷺ لمحمد الطيبي

Résumé: The infatuation with experimentation is considered a creative phenomenon. Experimentation is associated with the events and developments of the era, and the praise of the Prophet in contemporary poetry is a unique phenomenon, as it is influenced by everything that is modern. The poet Muhammad Attayebi has embraced this through experimentation, employing forms and techniques that align with the poems of praise to the Prophet, which had a prominent and influential presence in the poet's work. Infatuation forms a distinctive phenomenon in the collection titled "Our Master" through experimentation that is linked to the internal and external textual thresholds, reaching its content and poems. Infatuation extends to the core of each individual poem, with form and content merging in the vertical poems to construct a distinctive experiment that breaks away from the known without compromising the essence and foundations of the poem. This experimentation is evident in terms of rhythm, both internal and external, and in terms of form, such as the titles, images, and symbols used in the collection's cover, carrying connotations. The poetic language itself undergoes experimentation, revealing artistic images and their sources, and clarifying the use of words that fall within the subject of praising the Prophet. Moreover, experimentation infiltrates and enters into narration, manifesting in a style that can only be understood through deciphering the meanings of both the images and the lexical expressions to form this type of narrative within poetic experimentation

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