سيميائية الفضاء في الرواية النسوية المغاربية

Résumé: This study entitled "space un the Maghrebianfeminine novel" which includes an introduction, a preface four Across the study, we have targeted the discivery of space which has been at the origin of an extended controversy cognitive, shared by several fields of research by granting to this term many semantics according rite diversity of approaches between literary, Aesthetic, social, psychic, historical, anthropological and architectural. … However, researchers know a single definition of this term. However, the return to the fundamentals of space, such as communication, separation, orfer, measurement, dialogue, expansion and orientation, makes the semantic processinf of this term possible as perception and a mental representation that finds its complicated origin in the source culture. On the basis of this principle, we tried to establisg the text of space in its various aspects, as we sought semiotics to discover the semantic and communicative dimensions of space by the structural duality that never cease to deliver soon in semantic dualities with cultural, ideological, social and psychic references, whuch allowed us to divulge the manigestations of the discourse of the Roman feminine novel with all its semantic, symbolic and cultural dimensions, of which we have tried to widen the circle of the narrative register through the concentration on the Mauritanian feminine novels and the western desert, of which we believe that the critical studies did not put them under study or under analysis. Satisfied in this respect by our contribution to the highlighting and representation of these new novels that have not had their chance to study, besides the feminine novel Algerian, Moroccan, Tunisian and Lubyan, while focusing on New magazines in these Maghreb countries, with the aim of determining their innovative experiences without closing their minds on the romantic names used by other researches, and it is hoped that they will have contributed to the Bases of a new concept of space and its perceptions in the novelistic woman from gis point of view. This confirms the clarity of, ut has already been revealed by all the four applied chapters and its various themes, and thid through: Chapter1: Typographic space (contextual): The Magrebian novelist has clarified the textual form in his novels as a behavior and an aesthetic model which creates now dimensions through the use of writing asan aesthetic dimension of the aesthetics of contemporary novelist text, as a conviction in it that influences Typigraphic and visual textsare a new origin of the expressive energy of the text and which create a text that is addressed to the vision and communicates with the cognitive feelungs incorporated and which realize aesthetic or indicative gunctions based on the non-verbal signal, Through the exercise on the part of the novelist an optical game, the basis of which is the difference of the lines, their distribution and their volume, the interferences of colors in the text through the domain of white and black, A different typographical aspect, which in turn contributed to the activation and reakization of Of the effectiveness of the reading in the interlocutor, and the investigation of the text according to its formal conception whoch is based on the opital overcoming to the constitution of new linear formations, shared accorfing to a textual, intellectual abd cultural strategy which contributes to the "The establishment of poetry in the Maghrebian feminine text and uts singularity. Chapter2:Color Space: The values of the colors appeared with a spation-temporal dimension reflecting rhe vital conditions of the maghrebnovelusts un their societies to describe through their color photograohs their oppressed and oppressive truths, which themselves fall victims of their alienation through which one personifies 1 The operation of chosification and marginalization and the exclusion of women, they question through color and will the will of the society to which it belongs so that cilor becomes in most texts a cry, or A means of resistance, a reguhe or a storeroom, and a play of absence which las surpassed its gormak or artistic limits, since the novelist has excelled at the use of the symbolization of color in his text, since to each comor its effect Magic and aesthetic, and its symbol in the world of woman, grom where it influenced in its experience And has prompted the receiver to think about what she hides between her colored lines which revals a hinesse and sensitivity in her behavoirwuth the symbolization of color and uts proximity to a few colors and its distance form others. Chapter3:Body Space: Through the game of meaning and the semantic game inaugurated by the body, the Maghreb novelist tried to adopt it the light of a different feminist imagination clarifying her view of self and her bidy, as well as her expressions and rituaks And his world that interacts wuth and through him through the lanfuahe that has transformed him into a personality far from his truth. The woman tried to perceive her persin not as a linguistic obhect but as an actress who manipulates the linguistic context and puts the container in front of an integrated scene that observes the geeling and interaction of the feminist person in her encounter Existential, psychic and social with the other body (man), and that we are committed that this takes place through (the world of fantasies/emotions, the world of the senses and sex).

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