L’enjeu De La Mémoire Collective Dans Le Texte De Fatéma Bakhaï. Le Cas Romans Izuran, Les Enfants D’ayye Et Au Pas De La Sublime Porte

Résumé: In this article we wonder about the collective memory for which tries to set up Fatéma Bakhaï through romantic trilogy (Izuran, Les Enfants d’Ayye et Au Pas de la sublime porte / In the Step of sublime door) and which establishes the main stake in its text. The romantic trilogy bakhaïenne is a novelty in the French-speaking Algerian literary space: first of all, by the chosen theme, because return also far to the past of Algeria is an unpublished approach; then, by the esthetic choices undertaken by the author just like the appeal to the generic and interdisciplinary interbreeding. To support the illusion of the reality and make possible the faith in a project of unveiling of the truth, Bakhaï is going farther than to mix novel, tale and myth. She gives to read a romantic trilogy where cross literature, History, anthropology and epic breath to propose a founding myth on which the collective memory rests (bases) for which it tries to set up

Publié dans la revue: IMAGO Interculturalité et Didactique