The Visual Experience In The Poetry Of Mohamed Bennis /التجربة البصرية في شعر محمد بنيس

Résumé: The semantic and rhythmic unity formed by the poetic verse led to imparting a stable perception of the poetic structure in the visual memory, with the writing experience of the great Moroccan poet Mohamed Bennis belonging to pluralism as a sign of modernity, as it combines creative practice with theory on the basis of a wide culture. Therefore, we considered in this study, Muhammad Benis, the poet, and we focused specifically on the visual space of poetics in his poetic experience through his adventure in building the differed text. The primary role that the visual body of the text can play in a step to achieve a different understanding of poetic writing is based on considering language as a tool, and this is the consideration according to which the poet’s work becomes an industry and a material for language strudture formation or rather construction. What is constant is that the written poetic text becomes a succession of visual signs over a specific space. These signs do not go beyond the scope of linguistic evidence. The poetic experience of Muhammad Bennis extends over time, with the obsession of emigrating to familiar places, and it truly contributes to drawing the map of contemporary Arabic poetry. These aspects of Benis poetry constitutes the heart of discussion in this article.

Publié dans la revue: Traduction et Langues