ูุถุงุก ุงูุนุชุจุฉ ูุถุงุกู ููุตููุง ูููุถุงุกู ุชูุฎูููููุง .ุฑูุงูุฉ "ูููุณุทุง: ูู ุญู ุฏ ุงูุตูุงูุญ ุงูุจููุนูู ุฑุงูู ุฃูู ูุฐุฌุง
Rรฉsumรฉ: ููุธุฑู ูุฐุง ุงูุนู ูู ูู ุงููุถุงุก ุงูุนุชุจู ูู ุฑูุงูุฉ "ูููุณุทุง ุฃููู ุนูููุฏูุฉ ุจูููู ุฃูู ููููุฉ" ููู ูุญูู ููุฏ ุงูุตูุงููุญู ุงูุจููุนูู ูุฑูุงููู ูููุงู ููุชุตุฑ ุงุณูุชูุฏูุนูุงุคูููุง ูู ูุตูุทูููุญ ุงูููุถูุงุก ุงูุนูุชูุจูู ุนูููู ุงูุนูุชูุจูุงุช ุงููููุตููููุฉ ููู ูุง ููุธููุฑู ููููุง ุฌููุฑูุงุฑ ุฌููููุงุช Genette . G ู ููู ุนูููุงูููู ููุชูุตูุฏูุฑ ููุฅููุฏูุงุก ูููููู ู ูุง ููุชูุตููู ุจูุงูู ูุตูุงุญููุจ ุงูููุตูููุฉ ุชูุนูุชูู ูุฏู ุจูุงูุฃุณูุงุณ ู ูุง ุฃูููุฌูุฒููู ู ููู ุฃูุนูู ูุงู ููุฎูุงุตูุฉู ููู ููุชูุงุจููู ุงูุดูููููุฑ ุนูุชูุจูุงุช " Seuils " ุ ููููููููุง ุณูููููุชูู ูู ููุฐููููู ุจูููุถูุงุกู ุงูุนูุชูุจูุฉ ููู ูุง ูุธูุฑู ููููุง ุงูุจูุงุญูุซู ุงูุฑูููุณูู ู ููุฎูุงุฆููู ุจูุงุฎูุชููู ุจูุงุนูุชูุจูุงุฑููู ููุถูุงุกู ุจููููุง ู ูุตูููุงู ุจูููุญูุธูุฉ ุงูุชููุญููููู ููุจูุฒูู ู ุงูุฃูุฒูู ูุฉ. ูู ูุถุงุก ุงูุฎูู ูุงูุงุถุทุฑุงุจ ูุงูุชููุฌูุณ ุฒู ู ุงูุฑููุจุฉ ูุงูู ูุคุงู ุฑุงุช ูุงูุฏูุณุงุฆุณู. ููุงูุนูู ููู ููู ุงูุญููููููุฉู ุชูุทูุจููู ูุฑูุคูููุชูููู ู ูุฎูุชูููููุชูููู ููู ูุตูุทููุญู ุงููุนูุชูุจูุฉ ุฌูู ูุนู ุจูููููููู ูุง ููุฐูุง ุงูููุต ููู ู ูุญูุงููููุฉู ููููุดูู ุจูุนูุถ ู ููุงูู ูุญููู ููุฃูุณูุฑูุงุฑูู. Abstract: This work looks into the sub-threshold space in the novel "Costa or Awdatou Banou Oumaiya" by Mohammed Saleh Albuamrani. Our concern with the term is not limited to textual thresholds as studied by Gerard Genette in his work "Seuils" but we will also look at the term threshold according to the Russian scholar Mikhail Bakhtin as an inter-space connected to the moment of transformation and the time of crisis. It is a space of fear, turmoil and apprehension, a time of dread, conspiracies and intrigues. In fact, the work is an application of two different visions of the term threshold of which the text makes a combination
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