النقد المسرحي المغاربي، النوع والإجراء

Résumé: Arab theater criticism in general has recently been studied by researchers and academics, and then these studies have been extended to deal with anything related to this criticism. Our present research studies in particular “Maghreb theatrical criticism, its types and procedures” The objective of this thesis is to follow the path of this criticism, to monitor the types and the most important critical practices that have contributed to the formation of its entity. We planned to present new critical experiences on the one hand, and answer a set of questions, which arose as we studied its subjects on the other hand. We have studied many problems such as critical specificity based on belonging, the degree of presence in the cultural milieu, traits and characteristics, objectives achieved, and its current Image. In order to achieve all these objectives, we have divided our thesis into three chapters. In the 1st chapter, we presented criticism, its origins and concepts. The 2nd chapter was devoted to the study of critical samples of the Maghreb theater to present the types of Maghreb theater criticism. We talked about theater critics, journalists and academics, across the three countries (Algeria, Tunisia and Morocco). As for the third chapter, we have chosen a group of critical Maghreb theatrical approaches, and we have made for each approach models corresponding to the three countries. In the end, we achieved the following results.

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