حركية السرد في ثلاثية أحلام مستغانمي (ذاكرة الجسد،فوضى الحواس،عابر سرير) - بحث في التقنيات وآليات البناء -

Résumé: The poet and novelist Ahlam Mostaganemi drew my attention to her work in the bachelor's stage and since then I have been deeply concerned about her position among the Algerian and Arab novelists. I chose the trio to take a work code for my project in a doctoral dissertation specializing in modern and contemporary literature as a good model In my opinion, to research "narrative movement, research in techniques and mechanisms of construction, and this encouraged me to choose the novelty of the texts and the importance of this tripartite in the course of the movement of creativity, both prose and poetic, in addition to the language of high-end and that I will be in the The researcher did not in the position of the refined writer. On this basis I preferred to work on the text and the questioning of the text and nothing but the text, based on questions that my gate to go into this research turned later to the titles and parts within the goal of demystification on many things related to dreams of Mostaganemi and triatha. These problems, which are reproduced by the search movement and its growth, especially that the tripartite sequence raises and raises many of the problems, including the most important: - Does the narration move from the memory of the body to a passerby? . - What are the stylistic characteristics, narrative techniques and artistic mechanisms adopted by Ahlam Mostaganemi in constructing the texts of the trio? And what elements of the artistic narrative that contributed to the construction of narrative movement within their narrative worlds? To what extent have they perfected the elements of narrative construction in their work, and are the elements of narrative construction and its techniques different from work to work? In other words, did Mostaganemi subject her narrative experience to self-revision tools from one work to another to develop the novel form between her first experience (body memory to a bedridden), between the beginning and the end of a trilogy. What did the previous text add? Then what is the secret to the remarkable success of her fiction? . In order to answer all of these problems, a methodology was adopted based on four chapters that began with an introduction to the subject. The first chapter devoted to the narrative structure and the mechanisms of artistic construction. The chapter was divided into a group of titles, - Architecture structure. - Text narrative between the narrative component and narrative formation: we identify through this address on the method of weaving the building structure and the formation of narrative narrative movement, in order to know the systems and patterns governing the network of weaving and construction through which the structure is written, narrative text rises on a set of narrative components that represent blocks In accordance with a logic and a law governing the conduct of its rhetorical order, through which the network of relations between the elements of the problem of its structure emerges, which reflects the nature of the mechanisms of the structure of the structure and methods of work in the novel. - The beginning of the act of narrative and its role in the transformation of narration: We seek through this title to search for the point of the novels, ie the search for the nucleus of the narrative that moves the narrative through which we focus on the construction of the event and the manner of growth narrative within each novel, by touching the first narrative thread and its role In the transformation of the narrative movement. By tracing the narrative movement within the trilogy, we present the narrative time in which the events move within it. After identifying the formation of narratives in the trilogy, we recognize the formation of the description inside and the relationship between the narration and its functions within the trilogy. Is the description really rigid to the events that stop the narrative movement and slow down its movement or during the description the narrative movement ceases, which means moving the descriptive machine and transforming it into a new narrative element that contributes to Building another narrative movement is what we are trying to know through this title. Then we turn to the dialogue site from the narration within each novel as a technique of narrative writing techniques. Is the tripartite dialogue vital and dynamic, and the reader avoided the monotony of the long narrative? Does the dialogue disrupt narrative flow or slow its movement? And how much does it contribute to the definition of the personalities? That's what we're trying to answer with that title. If in the dialogue we focused on the character in the performance of verbal actions, we in the title will focus on our attention to the personality in the performance of functional functions through the tracking of narrative programs and role in directing the narrative path and building the movement of text Here we relied on the mechanisms of the Semiaeime, In analysis and precisely analysis of the narrative component because it leads us to the dissection of narrative structures, thus bringing a series of cases and transformations that characterized the characters of the novel through the roles they perform during the animation, which draws the narrative, so I chose the dominant powers after Btha programs narrative, as well as the global model we tried to apply the technique through the narrative of the four factors in order to stand on its elements controlling factors in guiding narrative motion path. This is a structure that gives the text its syntactic properties, allows us to trace narrative movement and gives the reader the correct meaning, because the meaning is not achieved in the midst of the familiarity and chaos. We have sought through this title to reveal the importance of manipulation of pronouns, the function of each conscience within the narrative structure in the trilogy, and the connection of pronouns to each other, with reference to transitions from one conscience to another, and the impact of this in the narratives. Characteristic structure: If we are in the structure of the structure we have identified the method of weaving the building and the formation of the narrative narrative movement within the tripartite, in order to know the systems and patterns controlling the network of weaving and construction through which the structure is structured, we in the semantic structure we intended to reveal the meanings of the structures and their contents, To the dimensions we referred to the story through the search for meanings and meanings carried by Ahlam Mostaganemi of the discourse of the novel, and discuss the most important issues addressed by the texts of the code. - The second chapter has its title: the formation of the narrative language in the dreams of Mostaganemi we sought to reveal the formation of the narrative language in the novelist by answering the following problems: How to form the most formal language? What is the value of the word within its narrative? Do you rely on news reporting or rhetorical rhetoric? . By dividing the chapter into a group of mabahith to answer these problems. Such as research in the poetry of the titles of the tripartite, and why she chose the dreams of poetic titles for her novels fit to be titles of poetry rather than novels. Then we examine the power of language, the effect of metaphor, the narration and the revival of dead metaphors, because the latter is an essential example of the use of language, , Meaning a purpose that lies behind the completed structure of the archives or the sentence .. Let us then learn what is raised by the texts absent in the speech of the tripartite, because the convergence out of the prose of the Swaknh to refer to a world full of poeticism. We revealed the intermarriages that interfere with the board of the triad ( And M, with legends and folk tales, fine arts, history, ...). Then we have added this title under the title of looking at the triangular texts with some, as each novel corresponds to its predecessor. - Conversation game and the transformation of the language between the ego and the other: This address is looking at the language in the framework of the dialogue between the two heroes language takes a philosophical character lose a lot of elements of clarity and ambiguity to disappear each side behind the words. - linguistic characteristics in the trilogy: We look at the linguistic levels within the trilogy (French, colloquial, folk proverbs), then we address the structural characteristics and were in the linguistic characteristics (sentence and paragraph, and types of long and short and its system in the triad and its impact on the narrative), and then exposed To employ question and purpose, negation, antithesis, repetition, anaphylaxis, co-ordination, formulations ...). - Writing between the strategy of Mostaganemi and the response of the reader: We highlight through this title on the dialectic of writing between Mustaghanmi and reader, through the convergence between the reader's awareness and the author's awareness. Within and outside the text, and the relationship of this dialectical to feed the narration and activate it and growing movement. Chapter III: The title of the movement: The mobility of the place in the story of Mostaganemi: If the personality of the difference and the times of multiple, as well as the places and their variations and transformations according to the location of the personalities, making it able to move and switch to symbols and indications from here was a necessity - to recognize the changes of place and the extent of its contribution to the construction of the narrative And his movement - to discuss in its relationship with the actors according to the mutual influence between them through the shifts of place between: attendance and absence, from familiarity to hostility, from openness to closure. - The mechanism of the place and ways of presentation: We realized, since reading the trinity that it is not positioning the place in the simple ways that we used in the classic novels, so we tried through this address to search how the placement of the place inside. - The novelist place and the nature of its relationship to reality: We are looking at the mystery of the use of Mostaganemi names of real places and the reality of what these places are framed by real events, and whether it has a relation to the real place outside the text. - Hide the blocking of places surrounded by familiarity and the direction of new places: because we are in front of a trilogy of creativity lies beauty in the language of high poetic density, which is not delivered form or content, we are looking here in the question: Was the place exceeded the traditional subtraction and gave him special importance of Through the use of technical techniques available to them, or remained rigid and non-soul is a burden on work? Chapter Four: The narrative of the body and its role in moving the narration and the production of meaning: All our ambition through this chapter is to reach the overall picture through which the body shows in the trilogy and how contributed to the dynamics of narration within it. To achieve this our section chapter to a group of titles: - Mustaghanmi and writing with the conditions of the body: Does the writing space of Mustaghanmi stick to the body? Do you view it as a threshold of a body or as a threshold of expression ?. Do you derive the vocabulary of the body from the details of the body? This is through the inclusion of a table of all the structures and sentences that included the word body, followed by the pages of their presence within the texts of the tripartite, then we introduce our reading of the body dictionary within the textual texts. - The body is a narrative horizon: How much body contribution to the movement of the event and the growing semantics and the reproduction of narrative potential? Then does the narrative reveal its subjects and determine the directions of its spread from the body ?. - Mostaganemi and travel towards the infinite dimensions in the body and self. - Writing the body desire driven by the obsession of approaching the other: Is approaching the other goal of writing the body at Mostaganem? Whatever the other is, whether inside the texts "hero" or outside (reader). The research concludes with the most important findings. In order to answer the problems presented by the research, I was challenged to address a number of difficulties, the most important of which are the branch of work and its ramifications, first of all the nature of the subject related to the dynamics of the narratives and the complexity of the narratives and the leakage of its entries. Touching the inside or outside the trilogy, as a modern literary form based on a long narrative narrative, complex and complex, because the novel itself is not characterized by clear boundaries, but are different forms of narrative, especially triangular, as it is difficult to distinguish between what is fiction and what is not This is due to the growing problems Of which the girl dreams of Mosteghanemi Thelathitha, and Astrsalha in memory and incursions in the past and history ..., and then triple the length of itself and its language of poetry intensive, then the difficulty of working on the practical side. But we were able to remove those difficulties by "love" our love and passion for everything that Ahlam Mostaganemi wrote, as we mentioned earlier, who referred the difficult easy, because love was the most exciting and the engine to remove these difficulties and start the search. the classroom. But we ask God success and repayment, aspiring to be a brick study has its place and status. Résumé de la thèse de doctorat

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