Illuminati’s Control Over Hollywood Film Industry: National Treasure (2004) And Angels And Demons (2009), A Case Study

Résumé: This dissertation deals with Illuminati in Hollywood Cinema. Through the analysis of movies produced by Hollywood, we show how the latter represents the Illuminati in its movies, and render it well-known. This work relies on Theodor Adorno and Max Horkheimer’s Culture Industry: Enlightenment as a Mass Deception (1944), which studies how media dominate the human being. Culture Industry makes visible how the advertisements, movies and cartoons become tools to help in the development of secret societies, since these tools are the most viewed by people , and this is the easiest way to achieve their dominance. We have also used Sigmund Freud’s The Psychoanalytic Theory of Personality as a supporting theory. Our work consists of two chapters. The first chapter is composed of two sections; the first one is about the Illuminati and Masonic symbols used in Hollywood Studios, and the second is about the explanation of the Illuminati symbols. The second chapter deals with the representation of Illuminati in the two selected movies. This chapter analyzes John Turtelataub’s The National Treasure (2004), a movie produced by Walt Disney Studios, and Ron Howard’s movie Angels and Demons (2009), produced by Sony Pictures Studios , a movie adapted from Dan Brown’s novel which has the same title. As a conclusion, it is found that the Illuminati as a powerful secret society uses the famous Hollywood Industry to manipulate and control humanity, so that they can reach their goal that is the New World Order.

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