المهيمنات الثقافية: كشف جدلية الأنساق بين الظاهرة(النص) والإشهار

Résumé: حاولت الثقافة العربية بأي شكل من الأشكال أن تلعب دورا توقيفيا في مفهوم الثقافة وإعطائها نوعا من البريق الجديد القديم حيال تعقيدات كثيرة تعرضت لها المجتمعات العربية التي تعاني أصلا مما يسميه محسن الموسوي في كتابه – النظرية والنقد الثقافي- بشرنقات النقص والتخلف والتقوقع الحضاري، وبغية التحرر منها لابد من الاستعانة بمجموعة علوم معرفية نستدل من خلالها كمؤشر أولي على العيول والفجوات التي يمكن تشخيصها ومناقشتها ومن ثم مساءلتها. Abstract The problem of cultural dominants with their political and social heritagehas been a focal point of much research by scholars, especially in terms of their sedimentsand essenceswheredualities are embodied face to face with matches. The power and the individual are matched by the centre and the follower. Freedom and oppression are matched with independence and sabotage. This is the subject of study in the present paper where some old texts have been identified. It carries these obsessions so as to relook into those dominants and disclose theirtools. Yet the experience of the text within the boundaries of field of consciousness and thought has remained the hostage of an ideology characterized by utopian statements of imagined ones. We have then shed light on a basic problem that lies in the coordination and the pattern of the teaching methodology that is governed by an everlasting subjection to an identified and constant system in such a way that places the academic writer within a theoretical space that does not go beyond being a means to approach and interpret syllabuses and study their dates avoiding the opening of a record of the modern concepts in terms of their philosophy, argumentation and widening the avenues to discuss them mentally and culturally.

Publié dans la revue: نتائج الفكر