الأسلوبيـــة الصوتيـــة في السور المفتتحـــــة بالأحـــرف المقطعة في الربع الثالث من القرآن الكريم

Résumé: This study aims to highlights the acoustic aspect in the Quranic suras that starts with Muqatta’at (also known as broken, dis-joined, or initial letters of the Quran.These letters are written together like a word ,but each letter is pronounced separately) through revealing the beauty of the rhetorical , linguistic , and rhythmic voice modulation in these suras. This study emphasizes some significant acoustic phenomena that lead to reach the equilibrium in the rhythm of the quranic text and goes ,miraculously, with its content and objectives.Among these phenomena, we dealt with: verse ending (al-Fasila al-qurania),voice repetition and syllabification , through which we aimed to find out the relationship between each acoustic phenomenon and those muqatta’at or openers which signify their respective suras. Through this research, we reached some important results represented mainly through the study of the muqatta’at in accordance to certain acoustic phenomena that contributed to attain the clarity of the quranic text; hence these muqatta’at or openers formed groups that characterized each sura with technical characteristics.These features include:selecting the verse endings ,the voice that implement the themes of the text and their rates of recurrence, in addition to the contribution of syllabification in the tune of the text in a way that attracts the listener and to avoid monotony in the rhythm of the text.

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