النّص المسـرحي الجزائري بين الكتابة والتمثيل مسرحية الأجواد لعبد القادر علولة أنموذجا.

Résumé: Algerian theateris one of the basic pillars of the cultural path in Algeria in terms of itsconnectionwith the march of society, through the basic issues of the masses thatit has raisedsinceitsinception to the presentday. The Algerian theatrical movement in its literary, artistic, political and ideological dimensions. Therefore, the focus of the research was marked by: The Algerian theatrical text between writing and acting, the play “Ajwad” by Abdelkader Alloula as a model. Where this study came as an attempt by us in research to answer the following problem: What are the features of the Algerian theatrical text between writing and acting? What are its dimensions and technical significance? Therefore, the research was divided into theoretical and applied chapters, and the theoretical side was devoted to researching the following concepts: the dialectic of theatrical art between writing and acting, then the birth of the Algerian theater and the factors for its emergence, the phenomenon of Algerian playwriting between foundation and contemporary and its path, its references and sources, the topics of its representations, and the language of its theatrical performance The Algerian references and expressive forms, and finally the Algerian theatrical phenomenon of Abdelkader Alloula and the characteristics that distinguished his works and the artistic, ethical, national and human values ... in it As for the practical aspect, we devoted it to the aesthetics of the dramatic discourse between authenticity and contemporary in the play “Al Ajwad” by Abdelkader Alloula, where we made an artistic study of its elements. Perhaps the most prominent goals that the research sought to achieve are represented in that it tried:  Researching the artistic and historical value of the Algerian theatrical text, which was a weapon for revolution, change, building and construction.  Getting to know the theatrical creativity of writer Alloula and how he portrayed the Algerian theatrical text committed to the cause of his country and its liberation. Defining the political and social dimensions of his literary discourse.  Highlighting the features of the original Alouli dramatic discourse in the play Al-Ajwad and revealing the issues of renewal in it

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